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Landlady celebrates the release of their new album "Make Up / Lost Time," a song cycle that begs you to cancel all your plans, except for ones required to get tickets for this show. They'll be performing the album in full, along with old favorites and possibly some surprises depending on your definition of the word surprise. This show will be a rare New York performance from Adam Schatz whose year is mostly spent on the road with Japanese Breakfast & Neko Case, so don't miss your chance to throw down on a weeknight.

Out worldwide on June 6th, "Make Up / Lost Time" features a magical cast of characters, initial production from Jonathan Rado, guitar brilliance from Buck Meek, Will Graefe, Greg Uhlmann, and killer backing vocals from Kristin Slipp, Starr Busby & Jenn Wasner. Adam Schatz was able to stretch out in the horn & string arranging department with an 8 piece horn section of New York crushers and violin & cello from Chicago's own Macie Stewart and Lia Kohl. All to say, it's a family affair, and if you tied Schatz to a chair he'd admit it's the best thing he's made yet.

Come celebrate the release of the album in person with other persons, guaranteed satisfaction or you'll get a voicemail apology from Landlady's own Adam Schatz.

Hannah Frances (b. 1997) is a vocalist, guitarist, composer, and poet that NPR’s Ann Powers calls “a stunning vocalist and songwriter, making monumental and mythic freak folk,” and was awarded Pitchfork’s Best New Music for her triumphant new album Keeper of the Shepherd. Through cutting lyricism and astute fingerpicked polyrhythms, Frances’ perennial sound melds avant-folk, progressive rock, and jazz. There is no singular way Frances grips us with her guitar or her storytelling. Drawing comparisons to Joni Mitchell and Jeff Buckley, her voice is colossal in its strength: piercing, warm, and always poised to embrace, even in its quietest expression. Whether performing as a solo act or with her full seven-piece ensemble, her mythology spellbinds with an insistent gravity.